the next installment on aus music sees the return of a relatively new addition to the roster rob glassett aka fold. throughout previous 12inches on manmakemusic and electric minds and on his outstanding netflix & chill debut for aus last year - fold has laced together dusty house grooves built with a classic approach to sampling funk, disco and soul records. next up - his lennys jam ep starts up with a dub techno groove built with delayed and panned stabs and sharp, pacy drums. rosie lea lays out a rich and sunny groove as a playful sample filters into focus over deftly treated drum kit samples and a buoyant bass line. tracksuits and tennis shoes then follows up with a no-nonsene party jam a short funk link is set over a booming kick that closes up a nicely varied package.

the btrax records label is back after few years off, and we are sure that new ep will not disappointed you. we are very proud to put out 2 stunning tracks made by one of the label founder : ben men from paris - france.french electronic music scene activist since the early 1990s, ben men is a multifaceted artist, both dj, records dealer, producer and party promoter. since 2001, ben men s btrax parties are hosted at legendary rex club. co-founder of the label -btrax records” with releases of the legendary 7 scan from detroit, vince watson, electric rescue, scan x, julian jeweil, mr c... he was co-founder and manager of record stores statik and basement trax records from 1996 to 2002.just a quick description of the tracks, “the journey” is… as you can imagine, a musical journey track clearly dedicated to the label influences. landscapes of twisting textures, brooding melodics which embarks upon a stunningly trippy journey of it s own.“morning glory” a straight-up slice detroit-infused melodic techno, adds a tough drum line and sweeping touches, as his signature style shines through

two sides of the chicago boy jon doppler... two of the tracks is pure deep electric housemusic! while the other two has a more free-style feeling but in space of course!! dont miss this one...!

returning to their home label circus recordings with their second full ep, long time friends of yousef acid monday s provide an electric new ep. opening with blazelnuts, a thunderous club banger certain to grip dancefloors the world over. with bold percussion and low-slung bassline, the track stampedes with a furious attack. next up, interstellar cake leads with a dark spoken vocal, paired with an unmistakable groove that s set to cause major damage. with remixes from both richy ahmed and subb-an, two well known facilitators of underground club culture, the package possesses everything from acid to soul and is aimed solely at the dancer

the europe-centered techno scene might be thinking: where is techno in a city as vast, dynamic and electric as new york? it’s alive and well, and keeps growing through aptly-named new york trax. founded in 2015 and based in brooklyn, new york trax is an outlet for new york music, by new york artists, in new york city. new york trax storms out of the gate in 2016 with a crushing release from none other than richard hinge.

2016 is bright ahead, but lets take a moment to look back to the intacto breakers and shakers in 2015. it

all instrumental immersion from visionary los angeles guitarist and songwriter.
the middle sister, released by leaving records, is an instrumental album by guy blakeslee, guitarist from entrance. side a is all acoustic, improvised guitar music. someone said it “sounds like john fahey and sandy bull with celestial nuance.” side b is all electric. its more-experimental – think can, terry riley, “noise rock.”
the vinyl release includes a download code.

after a first lp supported by various artist as rone, rodriguez jr, ark, electric rescue, morpheus or laurent garnier, timid records is proud to announce arno gonzalezs second album: *the delivery boy*. more personal (no featuring this time) and more direct into producing process, arno tells us pieces of his own story: a come back from a gig in brest (back from vauban), a crazy sunday afternoon (domingo dance), a trip to japan (kimura), a train ride to charles de gaule airport (angers/cdg). he also recalls with a dose of sorrow the cycles effects of buzz and modes into music (less was more) , the old time techno (the break), noisy and synthetic funk (the message) or the crazy run of a delivery boy (the delivery boy) which will be soon clipped by the motion designer smoh. the most surprising thing after a first listening is the work on textures and vibes which give consistency to the all album sailing between electronica, inspired techno and house grooves. finally, camille rodriguez and damien *timid boy* almira give us 2 stylish and efficient remixes which will find, for sure, the path to best djs turntables. enjoy your meal!

including instrumentation from dave harrington of darkside contributing electric guitar, alluring vocals by lorraine nicholson for on & on and dan whitford of cut copy fame, who helped record the synths.

the first release of new label florklang is a split ep, created by a japanese and an european producers who are actively outstanding from last couples years. this ep contains two tracks. one is by japanese artist humandrone who creates acid sounds with rich in originality that has been released by european label such as snuff trax, burek and more. this time from florklang presents (rizing field) by humandrone recorded one and only sounds of analogue synthesizer that attached importance to raw sounds. literally it had been recorded only once. other one is by walrus who is founder of electric music project bepotel producer based in brussels. in florklangs first ep presents a another deep and smooth track called (silver gifts) by walrus which inspired by house sound like larry heard and krautrock. florklang thanks to announce this exquisite release and also this could not be realized without the friendship between japan and belgium.

als gitarrenlegende michael rother bei einem konzert der secret machines unlängst plötzlich geisterhaft auf der bühne stand und mit den us-nachwuchskrauts sein deluxe rockte, knisterte der kleine hamburger club vor magie. das stück findet sich auf dem zweiten und letzten harmonia-album von 1975, welches nun zum zweiten remaster-schub historischer krautrock-alben gehört. -deluxe- ist ein repetitiv rockendes meisterwerk voll studiotechnisch veredelter saitenmalerien und wild pumpenden e-orgeln. dazu rufen rother, moebius und roedelius manchmal kraftwerk-hafte slogans, deren monotonie genauso hypnotisch wirkt wie die melodiemosaiken. hinreißend! parallel erscheinen in gleicher digipack-aufmachung klassiker von cluster (zuckerzeit, 1974) und os mundi (43 minuten, 1972) sowie titellose alben von electric sandwich (1972), novalis (1975) und kin ping meh (1975). zu den ersten käufern werden die secret machines gehören. garantiert.

calvin harris debut album *i created disco* (2007) contained a handful of chartbusters. *acceptable in the 80s*, *colours*, *vegas*, *the girls* and *merrymaking at my place* were very successful in the european charts.
pressing on 180 gram audiophile double vinyl.

maneuvers to dresden for the dunkeltier missonen. follow jaw drop debut rising for macadam mambo edits, sneaker dj dons persona for 4 cut n pastes of library, ebm, industrial und proto groove musings to neu welt orders. bahnsteig not beige balearic nu disco shite edit machine but searching deeper. speigel tv is youth reminder of joke time aber now for the tanzfloor. groovy. cruisin generates proto 4/4 hymns for dose of 909ers. tear it down does so mit electric body punk funk

re-structured is yet another exceptional milestone in the history of bedrock records. this the second of three vinyl samplers features tracks & remixes by bedrock, joeski, montel & electric rescue.

music for dreams release their second 12 inch this year from danish duo visti & meyland. continuing their current passion for writing real songs, visti & meyland are back with a larger than life anthem of love, melancholy and thoughtfulness. ‘sharing the light’ has a dreamy vibe in the verses and hits back hard with a bobby womack-esque chorus with meyland s jekyll and hyde vocals. carried by a 70 s drumbeat, a hypnotic electric bass line, and an out-of-tune piano, this track has a strong emotional, warm and star-gazing feel to it, though still maintaining the heavy, rock-solid grooviness that the danish duo are known for. on remix duties payfone calls the shots and demonstrates his power turning the track into a modern paradise garage-inspired dj tool. ‘girls on camera’ is the second track and a sure fire balearic club monster combining -e2e4- style arpeggios with french kiss style stabs making this package essential for any collector of open minded balearic sounds.

dreams of the future reveal more about the mind of the dreamer than the future itself-. the third release of rome-based label suburban avenue consists of 3 original tracks from the liverpool-based producer binny and bouncing remix by zadig. -polymorph- and -i/o- are oldschool, direct techno bangers that draw influence from detroit and beyond. with its minimally acidic riff, -signal repeat- is the perfect counterbalance to these tracks and is reminiscent of robert hood s early productions. zadig s electric remix of -i/o- takes the core of the track and re-works it into a subtle, yet tough peak-time groover that will slot easily into any discerning techno dj s set.

french composer and multi-instrumentalist pierre bastien delivers the latest entry into morphines increasingly diverse catalog. active for over four decades, bastien is best known for building automated orchestras, and his most recent lp, machinations, was released on aphex twin s rephlex label in 2012.
for this latest work, bastien recycled components of his silent motors live set and assembled new mechanical organisms—using amplified meccano parts, motors, fans, rattles, paper, and nails—to generate rhythmic scaffolding. live instrumentals, from prepared trumpets to the african kundi harp, javanese rabab, sanza, electric harpsichord, bass, drums, and gongs, were then superimposed on top.

zehn jahre nach dem originalrelease auf dem kleinen indielabel mush records veröffentlicht warp das debütalbum des britischen electronic-produzenten bibio in neuer auflage. inspiriert durch steve reichs-electric counterpoint ist fi ein exzellentes lofi-werk aus gitarrenkompositionen, die schichtweise in elektronischen klanglandschaften eingebettet sind. ein frühwerk, das es zu entdecken lohnt.

lmtd nice price , last copies left, supported by spektre, namito, patrick lindsay, andreas henneberg, dubfire, mihalis safras, john acquaviva, joseph capriati, wehbba, ziel 100,jaxson,max cooper, alex capelli, electric rescue, citizen kain, frank kusserow, edgar de ramon, marco bailey, stephan bodzin, microtrauma

one of paper disco s biggest tunes of this year has been given the all star re-rub treatment and it s a full house of dancefloor dynamite. the original has been rocking the boxes of the great and the good since it was out last year on trash the wax 2 and luke una bomber played it last month on 6 the music mif special as manchester s hot tune of the moment as well as nemone on electric ladyland.

from sci-fi to lo-fi lod presents a journey inside analog machines and science fiction movies. two producers from different countries had split the release with their sounds and their musical attitudes. lost soundbytes is a brussels based young producer that develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations, as drum machines & synthetisers like poly 61, acidlab bassline 3, wardolf blofeld. sebastian swarm comes from glasgow his three tracks are full lo-fi acid music, imprinted by a cosmic sight and chicago house quotes. enjoy the trip!

so the much anticipated return of primate recordings darker sibling, primevil recordings, is finally with us. this, the first of 3 various artists eps, will hopefully have you all drooling with excitement, and waiting for the next instalments of this classic label with baited breath. as with the primate releases, the ep features friends both old & new, but with a more sinister or funky take on proceedings, and each track is sure to move any dancefloor that likes its funk dark and edgy. brand new & exclusive tracks from nicolas bacher, sascha zastiral, and michele pinna, with a fabulous remix from stanny franssen of the track *jump room from greencross & miss electric kick off proceeding.
dj support: cristian varela, mark eg, misstress barbara, john warwick, anderson noise, louk ...

the 3rd album by atcq, originally released in 1993, back on 12 inch vinyl.

the album from 1977 re-issued in a heavy weight 180gram vinyl edition in its original cover. the split lp *clash* is a classic in the deejay genre and features two of the most prominent artists of late 70ies reggae, dillinger (born lester bullock) and trinity (born wade barmmer). re-launch of the classic uk reggae label burning sounds.

will sauls aus music has seen a number of new additions to the roster this year as the label continues to prosper. now - adding to names such as timothy blake, geeman and escape, aus welcome in another auspicious producer by the name of fold. having released records on man make music and electric minds - fold lines up his netflix & chill ep: a potent stack of hip-hop indebted house tracks backed up by the extolled and shady kassem mosse on remix duties.

2nd album from gary numan & tubeway army from 1979. vinyl re-issue, mastered from hd digital 96/24 transfers of analogue tapes.

buttechno is pavel milyakov, an unknown music producer from moscow suburbs and one of the local rising underground scenes leading voices. his debut record sport is a soundtrack to russian designer gosha rubchinskys aw15 fashion show and this synthy, spasmodic music proves to be as fresh as rubchinskys works. the world of buttechno is dark, experimental and ever changing whether he djs or plays live, he puts audience in a state of deep self-reflective meditation with a variety of tools ranging from astonishing post apocalyptic techno soundscapes to melancholic house structures.

2015 re-release on vinyl - 3x12 inch lp includes cd. part of the 10 years because edition.
extremely well made and forward thinking new wave, electro, downtempo, hip hop, funk, compilation from 2006 (!!), long deleted and now available again in beautiful reedition + cd. featuring ranimators, master killa, the juan maclean, esg , justice etc…!

is it balearic? latest offering is from klik records man glass coffee. disclosures is a hypnotic slice of european deep house. laid back electric pianos and marimbas layered over a tight house groove. dance naked the second track follows the same kind of pattern upping the tempo slightly,building slowly towards a deep bass drop and arped string line. again more trademark layers. full on dancefloor action. the b-side brings one of the greatest italian house producers ever to iib. don carlos remix is really something special. a relentless subby double bass sounding b-line relentlessly underpins this delightfully atmospheric excursion into deepness. the coyote remix slows down the pace and dons its flip flops for a little tropical shuffling. iib hitting the spot again.

first time ever re-issue. born and raised in the musical magical cauldron of washington d.c., wicked witch combines elements from alchemical mentors parliament, funkadelic, sun ra, esg, run dmc, james brown and jimi hendrix to cast a crazed spell on the innocent listener with a evil mass of machine-funk with lashings of rhythm and blues, punk funk and fusion. trained by masters at the duke ellington school of the arts, wicked witch is in full control of his art he plays all, knows all, tells all. his message will not be denied. believe your ears - believe your eyes: the wicked witch does indeed exist

james ross is a guitarist and composer living in brooklyn, n.y. originally from pittsburgh, pa., he has studied guitar at the university of pittsburgh and the mannes college of music in new york city. he has studied sitar with pandit krishna bhatt, and north indian classical music and composition with la monte young and marian zazeela. a composer in a variety of genres, james has written music for orchestral and chamber ensembles, as well as solo music for the guitar and the zhongruan (a type of chinese lute). he has also performed and recorded electronic and improvised music. recent performances as a composer and performer on the electric guitar, laptop and other instruments include sets at the bell house, at the small beast at the delancey with percussionist joseph benzola, a performance with kyle bobby dunn at issue project room, at pianos with richard lainhart, at glasslands gallery with michael vincent waller, at goodbye blue monday with david beardsley, providing live music for katherine liberovskaya and ursula scherrer’s optosonic tea series at diapason gallery in brooklyn, with video artist alex carpenter at the tank in manhattan, and at damrosch park at lincoln center as part of the guitar ensemble for rhys chatham’s “a crimson grail.” a recording of the -crimson grail- performance was released on nonesuch records on sept. 14, 2010. as a classical guitarist, james has performed as a soloist and ensemble player throughout the northeastern united states. he received a solo recitalist fellowship in 1992 from the pennsylvania council on the arts and won the 1993 mannes college of music concerto competition, resulting in a performance of joaquin rodrigo’s “fantasia para gentilhombre,” at symphony space in new york city.

double 12 inch vinyl + download code & art print.

we welcome back subjected for his debut ep on sleaze records! the berlin based artist has been on fine form of late, releasing on esteemed techno labels like electric deluxe, polegroup and of course his own vault series imprint. this is subjected at his best, featuring 3 quality original tracks and a great remix by new scottish talent deepbass.

for fans of dixon / ame ...
seine debüt ep nahm patrick o laoghaire aka i have a tribe mit rob ellis (pj harvey/anna calvi) und conor o brien von den villagers auf, begleitete dann auf ausdrücklichen wunsch der künstlerin anna calvi auf ihrer europatour, eröffnete für die villagers ihre irische homecoming-show und spielte ebenfalls die new yorker clubs electric picnic und cmj. i have a tribes blend aus popsensibilität und folkiger melancholie war nie offenkundiger als auf dem faszinierenden song * monsoon* sowie dem ep titeltrack * yellow raincoats*. dieser erlangte die aufmerksamkeit von frank wiedemann (Âme, howling), der ihm seine ausgezeichneten remixkünste verlieh und ihn zu einem wahren pop-juwel schliff.

django djangos debut album came out in january 2012 on because music and was lavished with praise. it was updated psychedelia that beguiles and delights (the guardian), consistently mind-melting and often brilliant (q), bursting with ideas (pitchfork) and gloriously, unpredictably new (mojo). by december it had been shortlisted for the mercury prize and named one of the albums of the year by rolling stone and nme. they became known from their electric live performances full of energy, and went on to play memorable shows at festivals across the globe including as glastonbury and fuji rock.

nice price deal !!!

nyc s bookworms makes his return to l.i.e.s. with four tracks of hypnotic headnodding techno. big tip! ever evolving in his sound, bookworms is fearless in his production whether behind the beat, in front of the beat, or subtly changing tempos through his tracks, there is a bizarre swing to it all keeping it moving. jump into the haze zone of the worm and hear for yourself, perfect for those backroom moments...got it?

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

the debut release from shannon saunders as 180 gram vinyl ep.

sound of speed has truly become a household for underground house music, with artists like aybee, cottam and jimpster. this time its a four-track ep by lay far.

next up on to rack & ruin release we have a split 12inch full of italian goodness! futuro tropicale has been a regular fixture of recent years at the electric elephant festival where his double team dj sets alongside balera fm have been the stuff of crate diggers dreams

some facts about duncan gray... he is a multi-instrumentalist tune smith... he has a label called tici taci... he was, along with our kid, one half of the criminally under-rated machine funk duo the sons of slough who produced an album of elastic electro (milk, milk, lemonade) and invented electro-bingo (two fat ladies... aux 88). he has recorded a cover version of robert calverts (ex-hawkwind) *lord of the hornets*... he has played space guitar on a number of my remixes (we like to call his sound pink wray). he has given me 4 tracks of low-slung sleazey loveliness to release on bird scarer...
andrew weatherall : march 2015

*repress. nb: comes in house bag now, not picture sleeve like original pressing.

the crew are at it again, having caused a mini storm with their debut 12- ep they are back with a rsd limited edition, first up we have this 80 s drenched balearic monster - just how you feel-, fat drums and baseline with plenty of synths, acoustic and electric guitar and haunting vocals. next the crew take us up the nile with this majestic track full of eastern flavour, fused with jazz and a relentless rhythm. finally we have this little gem of a track, fool in line, delightful in every way, with some mean marimba playing and catchy vocals, what a great jam. early dj support from kenneth bager 12 inch purple vinyl with splatters of white & black, in a manilla sleeve

mit precious veröffentlicht till von sein sein zweites solo-album. schon aus dem albumtitel lässt sich der wert des materials für dessen urheber ablesen. -precious- darf man als aufarbeitung früher und aktueller einflüsse begreifen. es versammelt mit u.a. mr. v, meggy, kevork & maria, the black 80s und kid enigma eine hochkarätige feature-liste auf interpretationen all der musikalischen schätze, die das künstlerische charakterprofil von seins am nachhaltigsten geprägt haben. auf diese weise fließt das album zwischen house, r&b und versoulter popmusik, führt die entlegensten bpm-welten aufs stylishste zusammen und meistert den doch oft zum scheitern verurteilten versuch, floor-funktion mit songwriter-ambition oder gar airplay-tauglichkeit zu verknüpfen.

this is the story of c powers. to understand oysters, you must understand the man behind it all…

secretsundaze 017 comes from london based producer endian. releasing just 2 eps in a few years on nonplus and electric minds, endian has nevertheless managed to to turn the heads of the likes of steffi who used one of his tracks for her panorama bar compilation and boddika who also licensed a track for a various artists ep. sounding like a producer far more experienced than the two releases would indicate, it came as no surprise that this is far from the the output of a novice but the seasoned veteran george levings aka commix (metalheadz).

django django became known from their electric live performances full of energy, and went on to play memorable shows at festivals across the globe including as glastonbury and fuji rock. born under saturn is the work of a band fired up by confidence and experience and propelled way beyond their diy roots. it has all of the imagination of their debut self-titled album but splashed across a larger canvas.